Good albums of 2017, part 4

Austra – Future Politics

Future Politics

I’m putting this on here because I’m completely conflicted about it. I’ve tried, but I can’t bring myself to like it. The vocals are still killer, but the music here is chill in the worst sense to the term: neither energetic enough to be exciting nor unpleasant enough to be interesting. It’s dull and unevocative, and all the more so for the blatant provocativeness of the titles. It completely goes to sleep halfway through and never really wakes up. None of the lyrics add enough context to compel attention (again despite the titles; for the record, this was written before the bottom fell out of the world, so it’s not explicitly about that, but as you know, everything happening now has a cause and was foreseeable and is understandable, so addressing anything in this vicinity bears on that endeavor. Not that that matters right now).

But despite all this, I don’t actually think it’s bad. I mean, it’s clearly not a “mistake”; it’s clearly exactly the album it’s supposed to be. But I don’t feel like any of the available options here really add up. One is that it’s a good album in the service of evil – obviously not, like, in the Leni Riefenstahl sense, but nonetheless a bad idea that happens to be expertly executed. This is putting the line in entirely the wrong place, though; if you actually accepted this proposition the amount of aesthetic culling you would have to do would be totally untenable. So the alternative (the one that most people accept implicitly and that you’re probably rolling your eyes at me for not just assuming) is that this is a perfectly salutary work that just happens not to be to my taste. That’s certainly the easy answer, but I’m pretty sure it’s too easy. I’m pretty sure my objections here are substantive. I’m not personally against chillness; I’m actually low-energy to the point of immorality. Rather, chillness is rationally harmful in ways that can be elucidated in technical philosophical terms. So I’m intellectually obligated not to close this case. I feel a very strong gap here, and I don’t know where it is, and I’ll admit that right now that’s all I have, and that my only claim on your time here is that I think this issue is worth highlighting. I guess this is the sense in which this album really did make an impact on me. It’s something I can’t understand yet, but which I’m forced to acknowledge right now.

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