Good albums of 2017, part 2

Trebuchet – Volte-Face

Volte-Face

This one’s kind of a problem for me. In theory, I hate it. It’s all slow strings and churchy harmonies and soft compassion. Like, it’s pleasant. It sounds nice. Give me a fucking break. The problem is that, actually listening to it, I have exactly zero negative feelings about it. It’s obviously great. I’m capable of objectively appreciating things that aren’t my thing, but that’s not what this. I really like this on a personal level, and that fact contradicts things that I’m pretty sure I know about myself. I mean, it’s not really that confusing. It opens with a literal hymn, but it inverts the meaning: not eating the fruit – failing to act recklessly enough to push the world out of its state of grace – is framed as the act requiring forgiveness. The rhythms are pretty hot; they’re not emphasized, but they do a lot to mitigate the austerity and get a little bit of blood flowing. And it’s not actually deniable that the singing is great, the songwriting is elegant and the whole thing is emotionally affecting on a very basic level. So it’s not like I have to renounce my faith here, but I still feel unreconciled. I suppose that has its own value, though. The world’s a complicated place. You’re definitely wrong about a bunch of stuff, and you’re never going to figure most of it out, so, if not caution, at least a little bit of magnanimity is called for. It’s parochiality that truly numbers among the greatest sins.

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